In interviews people often ask me to give them a blow-by-blow description of my routines, so a few weeks ago I took notes throughout the course of a fairly typical day. Personally I think my fiction makes for far better reading —after all, fiction can have plots and involve people who are more interesting than I feel myself to be. However, people are always asking about this...
6:45 a.m. Get out of bed. Light the gas heater in the bedroom and put my daytime corset nearby to warm up. Go downstairs to the kitchen, light the kitchen lamp. Light the gas burner, put the kettle on.
7:05 Notice I can see my breath in the kitchen. Pack my husband Gabriel's lunch while he gets ready for work upstairs.
7:12 Sweep up crumbs from slicing bread, add them to the crumbs jar. (Crumbs from the crumb jar are very handy for bulking up soups, making crusts for things like macaroni and cheese, etc.)
7:15 The water in the kettle is boiling; turn the gas off. Go upstairs and brush teeth.
7:20 Return to kitchen, kiss Gabriel goodbye and tell him to have a nice day. Go into parlor, wave to him again through the window as he's leaving. Go back into kitchen, turn out the lamp, bring kettle up to bedroom.
7:25 Light one of the bedroom lamps, put it in the wall sconce by my washstand. Pour water from my ewer into my washbasin and add enough hot water from the kettle to bring it up to a tolerable temperature. Get washed up.
7:45 Get dressed: daytime corset, pantalets, shift, cotton petticoat, quilted petticoat, wool teagown, long wool socks.
7:47 Bring kettle back down to kitchen, fill. Light gas burner and put the kettle back on.
7:50 Back upstairs. Toss out washwater, wipe out basin. Move lamp from wall sconce to vanity dresser. Put up hair. Put on shoes (cozy carriage boots.)
8:00 Turn out gas heater and lamp in bedroom. Leave bed to air. Put on chatelaine.
8:01 Back down to kitchen. Kettle not boiling yet; turn gas up higher. There's just barely enough daylight to see in the kitchen now; I debate lighting the kitchen lamp but decide to save the fuel. Empty the driptray from the icebox. Eat some tinned fruit for breakfast.
In the nineteenth-century the first mail of the day in many cities was delivered around breakfast time, so I check my e-mail. (Indidentally: by 1905 Baltimore and Philadelphia each had seven mail deliveries per day, most of New York had nine, and Philadelphia had five.)
8:15 Kettle boils: make tea.
8:17 Stop to notice how pretty the morning light is against the wall.
8:18 Finish making tea.
8:24 Check thermometer in parlor: 48 degrees. No wonder I'm cold. Go back to kitchen. Finish eating; while doing so, check author profile and sales stats on my fiction. (This latter is, like the e-mail, the closest equivalent of the old physical business mail.)
8:35 Bring tea into my writing den. Fix the foot of my chair that always comes loose. Read while drinking tea. One of the characters in the book I'm currently writing is a ship's captain, so I've been reading nineteenth-century maritime books for background. One of the other characters is a school teacher, so I've also been studying a whole collection of the school texts which were used in Washington Territory in 1883, when the story takes place.
9:00 Finish tea. Turn out heater in den. Clean tea things, brush teeth. Make bed. Clean out stove in kitchen, lay fresh fire (don't light it yet). Notice we're low on kindling and I'll have to gather more. Check lamps: fill reservoirs, clean chimneys and tend the wicks on one bedroom lamp, big lamp from my den, my finger lamp and the porch lantern. Fill and tend the wick of the kitchen lamp but don't bother washing it, as it is still pretty clean. Fill the reservoir of the kerosene heater from my den. Put all the lamps back in their proper places. Sweep kitchen, take out trash. Whistle badly off-key to myself while performing kitchen tasks.
10:20 Re-light heater in den, settle down at my desk with one of my antique furs around my neck. Work on my story.
Transcribe and review what I'd written in my notebook yesterday, make a few changes. Put the computer away and continue writing by hand in my notebook (with a pencil so I don't get ink on my fur). Occasionally look up at the antique photographs which I've used as inspiration for various characters.
11:00 Need to sharpen pencil. Go out to kitchen to add the shavings to the ready-laid fire in the stove. Notice it's still 48 degrees in the parlor. I'm happy to return to my den, where it is starting to get quite cozy.
11:02 Keep writing in my notebook. The cold and tending various fire-related appliances has given me a sweet idea for a scene detail. One of my characters has a far less functional stove than mine and it's always giving her trouble.
Occasionally consult notes I've taken on various things related to the story I'm writing —a quote I want to include, notes on nineteenth-century Germany (one of the characters is German), etc.
12:10 p.m. Sharpen pencil again, turn out heater in den. Bring canvas work dress into den to warm it up before I change into it to gather kindling. Go back to writing.
12:30 Decide it's time to gather kindling. Take off chatelaine and leave it on my desk. Change from wool tea gown to canvas work dress (keep all the same underthings on). Notice canvas work dress wants mending, but not urgently. Move contents of purse into my vasculum, which is easier to carry in the woods than a purse. Change out cozy boots for sturdy work boots. Put sweater over work dress. Put jacket over sweater. Put on hat, scarf and gloves. Put a notebook and pencil in my kindling-gathering basket. (A writer always has writing tools, because anything is potential material!)
12:45 Eat a piece of cheese.
12:46 Go out with my basket to gather kindling. Pick up sticks and dead branches brought down by recent storms.
12:55 Pause to watch two squirrels fighting. Write about it in my notebook. I have no idea if this will ever make it into a story, but one never knows what might prove useful eventually.
1:05 See a woodpecker. Notice his rapping reminds me of a percussionist beating out a tune. Likewise write this down.
1:07 Feel particularly pleased with myself when I find some dead madrona branches. Reflect that madrona is the anthracite coal of wood —it is hard to get going, but it burns slow and long.
1:20 Return home. Transfer kindling from my basket to the box on our porch. While still dressed to go out, walk to the corner market for flour and molasses.
1:40 Arrive back home. Light the fire I set up in the stove earlier.
1:41 Take off outdoor things, change back into wool teagown. Leave on work boots for now. Put canvas work dress in mending basket.
1:46 Shift one of the oven dampers. The fire has caught but the stove won't be hot enough to cook anything for quite some time. Light the gas burner and use it to heat up leftovers for lunch. Put away the flour and molasses I just bought.
1:54 While the leftovers are still heating, feed the sourdough starter I use to make bread.
2:00 Eat lunch.
2:07 Put coffee on stove. Keep eating. Realize I haven't put my chatelaine back on yet; get it from my desk, hang it from my waist.
2:24 Finish lunch, wash dishes. Contemplate plots for stories while doing so. Notice that the air in the kitchen is still cold enough to make my hands (extra warm from the hot water I just used to wash the dishes) steam slightly. This strikes me as entertaining, so I write it down.
2:30 Take coffee off stove, put it aside to settle.
2:31 Finish drying dishes, put them away. Add wood to fire, close one of the dampers on the stove. Bring in extra wood for later. Whistle off-key some more.
2:37 Notice cobwebs on ceiling, sweep them down with the broom. Reflect that when I was a child if anyone had told me that living in a Victorian house involves sweeping the ceiling, this information would not have in any way dissuaded me from my lifelong dream. It would, however, have surprised me quite a bit.
2:40 Pour coffee into mug, add cream. Retreat to den. Re-light heater.
2:50 Back to my story.
(Slideshow: scenes in the series. For more, see Tales of Chetzemoka.)
2:55 Notice that the cold has made my hands so dry and chapped that one of my fingers is bleeding. It's not enough to make a mess though, so I dab it with a handkerchief and keep writing. Make a mental note to put skin cream on my hands before bed tonight.
3:30 Coffee gone cold. Bring it and my notebook out to the kitchen, put my enamelware mug straight onto the woodstove to heat it. Notice the fire has almost died; open one of the dampers on the stove and add some small pieces of wood which will catch easily. Write.
3:38 Take coffee off stove. The fire is roaring now; I add a large log and shut the top damper on the stove, close the bottom damper partway.
3:40 Go back to den with coffee. Turn out kerosene heater to save fuel. Write.
3:50 Have a question about terminology, look it up in one of our antique books. While looking it up, find a marvelous poem in the same book. Mark the page. Find the term I'd wanted, write it down. Open my commonplace book to a blank page and copy out the poem. My commonplace book is mostly just for personal inspiration, but about once a month I'll go through it, pick out poems or quotes that I think other people would find inspiration from, type them up, and set them up in the queue of posts for my author profile.
4:07 Finish coffee, brush teeth.
4:12 Return to den. Put my fur around my neck again and keep writing. Occasionally pet my fur meditatively.
4:30 Reflect that dusk comes early at this time of year: as soon as the sun sinks below the mountains the light starts to fade. It's also getting chilly in my den again. Light a kerosene lamp, which will add both light and heat to the room. Move myself from my desk to my rocking chair, which is near the lamp. Keep writing.
5:15 Light my fingerlamp so I can see what I'm doing as I move about the house. Add wood to the kitchen fire. Pour myself a mug of hot water from the kettle which has been on the back of the stove keeping warm. Return to den. Put fingerlamp in wall sconce. Keep writing.
6:00 Decide it's time to fill the hot water bottle for bed later. Turn out big lamp in study, bring notebook and fingerlamp into kitchen. Add a log to the fire. Move the kettle to a hot spot on the range, and put a pan of water on to heat.
6:05 Light gas heater in bedroom, bring down hot water bottle.
6:10 Light the kitchen lamp. Sharpen pencil. Add more wood to the fire. Notice coffee pot which I'd set aside earlier. Toss coffee grounds into garden (my primroses seem to like them) and wash coffee pot.
6:19 Shut top damper on stove. Cook dinner. Gabriel is spending tonight at his mom's house and with him gone I've no real reason to cook anything fancy, so I heat up the last of some chili I made a few days ago. Remember someone making a snide comment at one point about chili not being Victorian. Reflect that it's hard to think of a food more representative of the nineteenth-century American West than chili. Ponder the ignorance of the world and sigh.
6:35 Hear water starting to boil just as the chili gets hot. Move the water pan and kettle to a cooler part of the rangetop until I have time to deal with it. Add Tabasco sauce to my chili; think about one of the characters in my stories who adds pepper sauce to virtually everything. Reflect that one of the reasons for including this detail was to confront the odd misconception that all historical foods were bland. While eating, read a 1901 article from The Wide World Magazine which I'd printed out a few days before.
6:45 Wash dishes. Think I might want hot cocoa later; put a bowl in the ice compartment of the icebox for making whipped cream in case I do decide to have hot chocolate.
7:00 Move the kettle and pan of water back to the hot part of the stove. Scrub out sink with salt. Fill hot water bottle.
7:07 Take hot water bottle to bedroom, put in bed. Out of curiousity, check thermometer in bedroom: 48 degrees.
7:11 Dry dishes, put them away. Eat the remainder of the tinned pineapple I'd opened for breakfast (I eat a lot of tinned fruit in winter). Read the same maritime novel I was reading at breakfast time.
7:22 Turn out kitchen lamp. Bring fingerlamp up to bathroom, brush teeth.
7:28 Move my papers, etc. back to den. Put fingerlamp back in wall sconce, re-light the big lamp by my rocking chair.
7:35 Sit in my rocking chair with my feet up on my footstool and my antique fur around my neck. Write in my diary.
8:30 Decide I do want hot chocolate. Turn out lamp by rocking chair and de-camp to kitchen. Take the bowl out of the ice compartment, pour cream into it, then whip to stiff peaks using our rotary egg beater. Make hot chocolate, add whipped cream. Read while drinking hot chocolate.
8:52 Wash dishes, dry and put away.
9:00 Brush and floss teeth. Get changed into nightclothes. Turn out lamp and gas heater. Put skin cream on hands, put on cotton gloves to avoid getting skin cream all over the blankets. Crawl into bed, reflecting that whoever invented the hot water bottle deserves a knighthood, at the very least.
Duties of Husbands and Wives
From Hill's Manual of Social and Business Forms, 1891. page 167
Reprinted in True Ladies and Proper Gentlemen
"The Husband's Duty:
A very grave responsibility has the man assumed in his marriage. Doting parents have confided to his care the welfare of a loved daughter, and a trusting woman has risked all her future happiness in his keeping. Largely will it depend upon him whether her pathway shall be strewn with thorns or roses.
Let your wife understand fully your business. In nearly every case she will be found a most valuable advisor when she understands all your circumstances.
Do not be dictatorial in the family circle. The home is the wife's province. It is her natural field of labor. It is her right to govern and direct its interior management. You would not expect her to come to your shop, your office, your store or your farm, to give orders how your work should be conducted; neither should you interfere with the duties which legitimately belong to her.
If a dispute arises, dismiss the subject with a kind word, and do not seek to carry your point by discussion. It is a glorious achievement to master one's own temper. You may discover that you are in error, and if your wife is wrong, she will gladly, in cooler moments, acknowledge the fault.
Having confided to the wife all your business affairs, determine with her what your income will be in the coming year. Afterwards ascertain what your household expenses will necessarily be, and then set aside a weekly sum, which should regularly and invariably be paid the wife at a stated time. Let this sum be even more than enough, so that the wife can pay all bills, and have the satisfaction besides of accumulating a fund of her own, with which she can exercise a spirit of independence in the bestowal of charity, the purchase of a gift, or any article she may desire. You may be sure that the wife will very seldom use the money unwisely, if the husband gives her entire confidence.
[M]atters that would be of little concern to you may weigh heavily on her. She needs, therefore, your tenderest approval, your sympathy and gentle advice. When her efforts are crowned with success, be sure that you give her praise. Few husbands realize how happy the wife is made by the knowledge that her efforts and her merits are appreciated.
Endeavor to regulate your household affairs that all the faculties of the mind shall have due cultivation. There should be a time for labor, and a time for recreation. There should be cultivation of the social nature, and there should be attention given to the spiritual. The wife should not be required to lead a life of drudgery. Matters should be so regulated that she may early finish her labors of the day; and the good husband will so control his business that he may be able to accompany his wife to various places of amusement and entertainment. Thus the intellectual will be provided for, and the social qualities be kept continually exercised.
Give your wife every advantage which it is possible to bestow.
Possibly the wife in social position, intellectual equipment, and very likely in moral worth, may be the superior to her husband. It is equally necessary, therefore, that the husband put forth every effort to make himself worthy of his companion. It is a terrible burden to impose on a wife to compel her to go through life with a man whom she cannot love or respect.
The Wife's Duty
Never should a wife display her best conduct, her accomplishments, her smiles, and her best nature, exclusively away from home.
Be careful in your purchases. Let your husband know what you buy, and that you have wisely expended your money.
Let no wife devote a large portion of her time to society-work which shall keep her away from home daytimes and evenings, without the full concurrence of her husband.
Beware of entrusting the confidence of your household to outside parties. The moment you discuss the faults of your husband with another, that moment an element of discord has been admitted which will one day rend your family circle.
If in moderate circumstances, do not be over ambitious to make an expensive display in your rooms. With your own work you can embellish at a cheap price, and yet very handsomely, if you have taste. Let the adornings of your private rooms be largely the work of your own hands.
Beware of bickering about little things... What matters it where a picture hangs, or a flower-vase may sit.
Be always careful of your conduct and language. A husband is largely restrained by the chastity, purity and refinement of his wife. A lowering of dignity, a looseness of expression and vulgarity of words, may greatly lower the standards of the husband's purity of speech.
Whatever may have been the cares of the day, greet your husband with a smile when he returns.
Be careful that you do not estimate your husband solely by his ability to make display. The nature of his employment, in comparison with others, may not be favorable for fine show, but that should matter not. The superior qualities of mind and heart alone will bring permanent happiness.
To have a cheerful, pleasant home awaiting the husband is not all... A man does not alone require that his wife be a good housekeeper. She must be more; in conversational talent and general accomplishment she must be a companion."
"When I, poor elf, shall have vanished in vapor,
May still my memory live —on paper."
—Hill's Manual of Social and Business Forms, 1891.
On previous occasions I've already addressed why digitizing information is very different from preserving it (see http://www.thisvictorianlife.com/blog/digitization-does-not-equal-preservation ). I recently encountered a very personal example of the concept.
With Valentine's Day approaching, I was looking over a box of old love letters which Gabriel and I had written to each other over the years.
In the box with all the letters there was an interesting artifact:
I knew exactly what it was: a computer disk (from the days when computers still had disk drives), containing files of all the e-mails we'd written to each other when we first met.
It's been years since we've had a computer that could read such a disk, and even if we found someone who still owned one, it's extremely likely that the magnetic storage within such a disk degraded a long time ago and the files are gone, gone, gone. All those sweet words we wrote to each other: still on the paper of the letters we sent to each other, gone from digital media. Alive in our hearts, of course, but with the fuzzy, blurred edges of memory, not the sharp crispness of when we'd written them.
Luckily, I am one of the most eccentric people on earth, and both of us foresaw this problem of digital media a long time ago. After coming across this disk, I walked over to a nearby bookshelf, took down two very substantial, hand-bound volumes, and smiled to myself in a very smug fashion.
Back when I'd learned to how to make a hand-bound book, I'd gone back through all those old computer files, printed them out, and bound them together. Eccentric? Quite. Archaic? Perhaps. But enduring. So we haven't lost our history. It never would have disappeared from our hearts, but it hasn't disappeared in the physical world, either.
Incidentally, anyone interested in the superior staying power of paper over digital technologies should read the story of Britain's Domesday Book. The paper version made by Norman monks in the year 1086 is still useable and in fine condition. The digital version made in 1986 at a cost of 2.5 billion British pounds is now obsolete and unreadable. For more information, please see this article: https://www.theguardian.com/uk/2002/mar/03/research.elearning
"[H]iccoughs in children are immediately stopped by giving them a lump of sugar saturated with table vinegar. The same remedy was tried on adults with similarly instantaneous success." —Ellsworth, Mrs. M.W., The Queen of the Household, Ellsworth & Brey: Detroit, 1899, p. 644.
Last time I had hiccups I remembered coming across this in one of my antique books. I tried it, and was astonished by how well it worked. It didn't taste bad, either —after all, it's just sugar...
Happy birthday to my darling Gabriel!
"Good morrow to the golden morning!
Good morrow to the world's delight!
I've come to bless thy life's beginning,
Since it makes my own so bright."
—The Book of Birthdays, p. 120
Happy Martin Luther King Jr. Day!
I was born in King County, Washington state, the same county where Seattle is located. The county was originally named after Vice President William Rufus de Vane King. In 1986 the county's name was changed from King County to (er...) King County! It is now officially named after Martin Luther King Jr., human rights advocate.
To read more, see: http://www.kingcounty.gov/operations/logo.aspx
People interested in human rights history may enjoy this piece by the BBC, comparing modern slavery with the historic variety:
"Slave Labor and Consumer Power: The Long View" http://www.bbc.co.uk/programmes/b06sgxg5
(Here's a piece about the King after whom the county was originally named, for anyone who's curious: William Rufus DeVane King)
Someone asked me recently if my Tales of Chetzemoka series has to be read in their original sequence or if they can be read as stand alones.
They can definitely be read as stand-alones if you choose to do so; I made sure to write them in such a way that the stories will still make sense that way. The advantage to reading them as a series is that it gives a broader perspective on the world and the time. Each one is told from a different perspective so the reader gets to see a lot of different approaches.
Book One (First Wheel in Town) is told from the perspective of an athletic young doctor and a young widow who runs a dressmaking shop: people who are attracted to new technologies and fashions, but who have a practical side as well. Kitty is sentimental at heart but had to toughen up and deal with the sometimes cruel realities of the world when her first husband died suddenly; Dr. Brown feels the responsibilities of his profession very strongly but is willing to try new things and introduce new ideas to people. When Dr. Brown brings the first bicycle anyone has ever seen to a small, Pacific Northwest town, the reader gets to see it from Kitty's perspective. Since it is an entirely new machine to her, seeing it through her eyes is a good introduction to high wheel bicycles for those who might not be familiar with them —and the romance between the two characters should keep even seasoned Wheelmen interested.
Book Two (Love Will Find A Wheel) is from the perspective of two utter romantics, who see the world in poetic terms and mythic themes. Addie Kellam feels her only real friends are her books, and she dreams of a romance like the ones she's encountered only in stories. When handsome Jacob Simmons (the nephew of one of Dr. Brown's patients) comes to town and gallantly assists her after a minor accident, she falls head over heels in love with him. However, when she learns that he is a bicycle salesman she fears that, like her cycling-obsessed brother, he won't have time or interest to spare for a woman's companionship. After all, highwheel bicycles are designed specifically for men to ride. However, when Jacob brings a highwheel tricycle to town specifically to teach Addie to ride, not only does she get an introduction to the 1880's women's wheel of choice, but the reader is introduced to it as well.
Book Three (A Rapping At the Door) is from the perspective of Nurse McCoy, who is employed by Jacob's hypochondriac uncle Silas. McCoy is a trained nurse who was born and raised in the Appalachian Mountains: a sassy, no-nonsense pragmatist who, as she would put it, "takes care of all the goll-dumbed fools in this world without the sense to take care of themselves —and that's everyone!" Both by economic class and by regional origins, McCoy sees the other residents of the town from an outsider's perspective. Her bluntly cynical insights are often hilarious —as well they should be, since many of them were cribbed from nineteenth-century comic novels.
I'm currently working on Book Four, which concentrates on Lizzie Bray —Kitty's roommate from Book One, who bought a tricycle from Jacob and Addie in Book Two. Miss Bray is a schoolteacher and her sweetheart is a german immigrant who captains a small steamship in the Puget Sound Mosquito Fleet. Lately I've been deep into research of school texts and teaching strategies circa 1883, nineteenth-century german history, and shipping on Puget Sound in the age of steam —not to mention a few other subjects related to the plot (no spoilers!) You can bet I'm enjoying every minute of it!
Author: Sarah A. Chrisman
(Known around Port Townsend as "The Victorian Lady"